Which Palette are YOU?

Pastel, Jewel, or Earth
Which Palette are YOU?

We’ve all heard of pastel colors, jewel tones, and earth colors. But what are they ~ really? What makes them what they are? And why should you care?

If you don’t already know which of these 3 palettes is YOU, take a moment to scan the 3 images below.

Which one draws you in?

Which feels most comfortable to you?

Which one IS you?

Is there one you hate?

Jewel Tones Palette ~ Blooming
Jewel Tones Palette ~ Blooming, oil painting & fine art print

Jewel Tones Palette

How do the Jewel tones make you feel?

Jewel tones are pure pigment, or nearly pure pigment. Very saturated colors. Intense.

The colors in this painting; Ultramarine Blue, Cobalt Violet, Vermilion, Magenta, Veridian, Cadmium Yellow, Turquoise have been mixed with just enough white to bring the color identity to light.

The dark center of the flowers is Prussian Blue pure pigment. It appears black, but is not. If black were substituted for this color, it would appear lifeless and dead.

for artists

Charvin Jewel Colors
Ruby Red, Rubine Lake, French Red Light, Diamond Orange,
French Yellow Orange, French Yellow, Anise, Meadow Green, Peacock, Emerald, Intense Turquoise, Deep Turquoise, French Cobalt Blue, Deep Ultramarine Blue, Prussian Blue, Rembrandt Vermilion, Rembrandt Quinacridone Rose, Sennelier Rose

Pastel Tones Palette ~ Gently Sunset
Pastel Tones Palette ~ Gently Sunset,  oil painting & fine art print

Pastel Palette

Now let’s look at the colors in this pastel palette. How do these colors feel to you?

Pastel tones are the same pure pigments, mixed with white. This dilutes the pigment. The dark in this example is actually Shadow Green. Mixed with Provence Blue, the color beside the full strength Shadow Green feels pastel.

Please note: this is an oil painting, not a pastel painting. My discussion here is about pastel tones, not the medium of pastels.

for artists

Charvin Pastel Colors
Naples Yellow, Incarnat, Celadon Green, Green Gray Light, Water Green, Tropical Green, St Remy Green, Deep Opaline Green, St Remy Blue, Caraibes, Royal Blue, Bright Linen, Leaded Gray

Earth Tones Palette
Earth Tones Palette ~ Winter Marsh,  oil painting & fine art print

Earth Tones Palette

How do Earth Colors make you feel?

Earth colors are created from pigments found in the earth, Carmine, Red Earth, Yellow Ochre, Raw Umber, Siena, Charcoal, Zinc White. These elements are literally dug from the earth and ground up fine like sugar. This granular pigment is then used to create oil paint, acrylics, watercolors and pastels.

for artists

Charvin Earth Colors
Yellow Ochre, Raw Siena, Transparent Yellow Ochre, Pouzzoles Red, Aubere Pink,
Raw Umber,  Savana, Green Shell, Deep Celadon Green

pastel palette
One tray of pastels with a color chart.

Here is a section of my pastel palette with one of my color charts. Which palette would you say this is?

HINT  There may be more than one right answer!

Which Palette are YOU?

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I see y’all are voting heavily for the Jewel Tone Palette! Me too! However, there’s something I’ve discovered about balancing colors that requires all three. In doing my artist residencies in France and Italy, I’ve discovered a Color Fusion Palette that creates harmony.  Here’s an example.

Waking Dreams IV
Waking Dreams IV, oil

Can you see the difference between Waking Dreams IV and Blooming? Waking Dreams incorporates all three palettes. Learn more about my Color Fusion Palette in my Awakening Hearts Series and how you can use it in your home to create wellness, serenity, and vitality.

See the one I’m working on today

Can you see the woman in the landscape?

Perhaps not yet. I discovered her in another painting several weeks ago. Since then I’ve noticed she’s in a LOT of my paintings!

Dorothy Fagan Studio
Blocking in a new painting

See the one I’m working on today

Inspired by the idea of an abstract woman in my landscapes, a new way of looking at the blank canvas engages me in the studio. More questions than answers, I am intrigued to discover who she really is!

The small painting on the left easel is my inspiration for the large canvas. I have already painted a Gold Ochre underpainting with oil paint. This gives the canvas some tooth to resist my brush strokes.

close up view
A close up view shows how I am marking out the main forms and shapes of my composition.

Sketching Her Out

Using full strength pigment oil paint, without any medium to thin it, I block in the forms and shapes to fill my canvas. This is where I put my body into the painting. Just the size of the canvas itself is approximately the same as my body. This canvas is 30″ wide and 40″ tall, about the size of an adult woman.

sketching her out
Can you see in the thumbnail sketches in my journal, how these simple shapes translate onto the large canvas?

In the journal she is 2″ tall. On the color study she grows to 14″ Then on the large painting she mushrooms to 40″ ~ a full grown woman.

There is a lot you can’t see about her in the sketchbook that blooms in vibrant color on the 14″ study. And there is a LOT more yet to be articulated in the full size painting.

This painting is part of my Awakening Hearts Series. She doesn’t have a name yet. Perhaps I’ll take suggestions as we go along painting her. Post your suggestions in the comments below.

 

3 Doorways to the Tuscan Lifestyle ~ Tuscan Retreat

A Question is like a doorway. Opening a question changes everything.

My Retreat in Tuscany did this. The question I opened was “how to absorb the Tuscan Lifestyle into my life and artistry?”

Three doorway paintings explore this idea.

verdigris door painting dorothy fagan
Verdigris Door, oil, 10″ x 10″

Doorway #1 ~ Verdigris Door

In Verdigris Door, I was initially fascinated with the iron scroll work above the door. My first study was this oil wash and line drawing. You can see how my focus shifted from the detail scroll in the study below to color, light and shadow in the finished painting above.

Tuscan doorways
Scroll Door, wash and line drawing, 5″ x 7″
Tuscan doorways
Verdigris Doorway oil study, 8″ x 6″

#2 ~ Vermilion Doorway

Struck by the wonderful vermilion color, I tried several times to paint it. This version where the color is framed by an open archway, seemed a way of playing with the color without letting it dominate everything.

Three arched doorways, one to the right, the next front and center, and a third through the passage ~ lead us through the painting. A slice of sky opens light on the tower, street, and the next doorway.

Like a dream, I wonder what it means? Just writing the question, I see how this painting is open doorways, while the door in the first paintings were closed.

The quest of my Tuscan retreat did open me ~ connecting heart and mind in a gentle, compassionate way.

Vermilion Doorway Dorothy Fagan
Vermilion Doorway, oil on cradled wood panel, 10″ x 8″

The figure gives scale to the doorway, small in relation to a larger structure. A silhouette suggests questions. Who? An aspect of myself? Someone ancient? Or a new way of seeing myself?

Experiencing the Tuscany lifestyle, exploring slowly, letting the colors, flavors, and laughter seep in DID give me a deeper appreciation of life. I feel amazed and privileged to be here. Every moment of every day is precious and colorful. You can see this reflected in these paintings.

Loro Cuifenna
Loro Cuifenna village

This photo of Jim was my inspiration for the painting. There is nothing extraordinary about the photo. It looks like any tourist photo, poorly lit with the person looking the other way.

And yet … Jim standing in the doorway was an invitation to explore something hidden inside myself. Looking back on it now, I can see how it sparked my dream, colors and shapes hidden inside me that I never would have seen.

Green Door Dorothy Fagan
Green Door, oil on cradled wood panel, 10″ x 8″

#3 Green Door

From the same village of Loro Cuifenna, this narrow passage called for exploration. Yes, that IS a figure down in the passageway!

At first I painted the figure distinctly. Then it seemed to feel better as I blurred the form. I thought about painting it out completely. Then reluctantly, I let the human form be suspended between the sky and earth tones of the village.

Writing this, I see myself the same way.

Tuscan doorway
Green Door, oil study, 7″ x 5″

Writing about a painting AFTER it is painted, opens another doorway. There are things we ‘know’ about ourselves innately. Playing with colors and lines is one way of exploring something inside. Jotting questions, writing a simple description of each painting, these simple journaling techniques open new understanding of the soul inside.

Another Doorway

I am taking a group on a Tuscan Retreat. Watercolor journaling like this, writing, painting, cooking, wine tasting, exploring the Tuscan Lifestyle ~ What would it look like to absorb and live it? Find out more>