The Magic of Lavender

On my first day in France, I went in search of lavender fields to paint. Little did I know how much lavender would influence my art over the next five years.

Joy;s Garden colorful abstract landscape painting
Joy’s Garden, oil

The Magic of Lavender

The full story is in my book, Joy’s Garden Embrace the Mountain. Color has always been a major inspiration to my painting, though recently lavender is taking a leading role.

Not to spoil the story in the book, lavender played a large role on my pastel palette years ago when I first began painting in the late 70s. Working my way around the spectrum, over time my interests ebbed and flowed according to my emotional whims.

I have always believed it to be my role as an artist to paint how something “feels,” rather than how it “looks.” When I begin a painting, I do not usually have an image of how it will look at the start. Instead, it is a feeling that tells me I must paint to satisfy something deep inside.

lavender fields painting
Lavande Magic, oil

Lavande Magic

The urge to paint brings me back to the first day in France ~ when I felt I simply must paint this … The painting finally complete, Lavande Magic, has lived up to its name. Perhaps you can see how Joy’s Garden (top of the page), is part of the landscape from Lavande Magic ~ up into the foreground?

Of course, there’s lots of symbolism in these images. For starters, what was off in the distance five years ago ~ is now front and center. And all those swirling lavender fields? Those are the swirls of creative energy moving about. Can you see how they are all moving in unison? No static.

And there’s a picture story about the villa in the painting. It’s in the book too.

Joy’s Garden Embrace the Mountain

I hope you will see something of yourself in the story of Joy’s Garden. I hope you will feel the colors too, as you see the paintings and read the stories of how they are connected to dreams and the everyday stuff of life.  I am thrilled to announce that Joy’s Garden Embrace the Mountain  is out in print! You can order a copy, along with the CreativSOUP Journal.

Click on over and Peek Inside the Book>

And I invite you to see the paintings from the book in the Joy’s Garden Gallery. 

 

 

How a Dream Becomes Real Le Mas d’Ariveux

Waking up in Provence I felt as though I was dreaming. Jet lagged I’d slept ’til 6, stepped onto the balcony ~ “I must be in someone else’s life!”

Mas d'Ariveux
The garden at Mas d’Ariveux glowed, sunlight slicing between figs and olives.

The garden below beckoned with aquamarine water and quiet seclusion.

I slipped on a suit and into the pool.

Floating alone, I wondered at the magic that brought me here.

Hollyhocks bobbed their deep fuschia heads above me. Sun-drenched clouds washed the Cerulean sky with light.

Provence Oasis c2013 Dorothy Fagan
Provence Oasis, willow charcoal and alkyd wash on canvas, Order Print>

The first paintings were as dreamy and washed as lavender itself.

A good nights sleep didn’t make my trek to the lavender fields any less dream-like. Expecting vibrant purple filled fields ~ instead I discovered internet photos over saturated. A little past peak, like myself, lavender felt delicate and light.

The fragrance too, wafted in and out of awareness. Like the dream, illusive and uncertain.

Hollyhocks Dream, watercolor
Hollyhock Dreams, watercolor, Order Print>

After 35 years of painting with opaque mediums, Provence inspired my first works in watercolor.  I opted for a pack of postcards and thin washes of paint when the sun proved to be just too hot to paint at the easel with oil paint. Sitting instead at a cafe table waiting for lunch to be served, I stuck the brush in a vase of water and began what was to become my “new direction.”

Respite, c2013 Dorothy Fagan
Respite, willow charcoal and oil wash on canvas, Order Print>

Later in my residency, I began experimenting with washes of oil paint thinned with turpentine. I picked up some willow charcoal and drew back into the wet paint, fusing the two media. By the end of my six week stay, things were feeling a bit more solid.

Lavender Dream, c2013 Dorothy Fagan
Lavender Dream, willow charcoal, pastel, alkyd wash.

As I added pastels to the mixture of media, the paintings took on a more robust appearance. Controlling the new palette became difficult and winter gave me a time to dial back a few notches and work with earth tones.

The Lavender Farm, oil on canvas c2014 Dorothy fagan
The Lavender Farm, oil on canvas

Painting over top of the winter version, I lit into the palette with fresh spring colors the following spring. It sat for awhile in a half-way state, waiting for me to catch up and wrap my head around all the changes.

The Lavender Farm, oil on canvas c2017 Dorothy fagan
Le Mas d’Ariveux, The Lavender Farm, oil and willow charcoal on canvas, Order Print>

I wouldn’t have known that this painting was part of this collection at all, had it not been for a friend who came by the studio and pulled it out of my stack.

Of course when a painting gets pulled out and put near my easel it gets re-evaluated by my overly critical eye. And that’s exactly how this one got finished one last time. One or two last colours ~ well, I like it much better now.

C’est la vie!