Which Palette are YOU?

Pastel, Jewel, or Earth
Which Palette are YOU?

We’ve all heard of pastel colors, jewel tones, and earth colors. But what are they ~ really? What makes them what they are? And why should you care?

If you don’t already know which of these 3 palettes is YOU, take a moment to scan the 3 images below.

Which one draws you in?

Which feels most comfortable to you?

Which one IS you?

Is there one you hate?

Jewel Tones Palette ~ Blooming
Jewel Tones Palette ~ Blooming, oil painting & fine art print

Jewel Tones Palette

How do the Jewel tones make you feel?

Jewel tones are pure pigment, or nearly pure pigment. Very saturated colors. Intense.

The colors in this painting; Ultramarine Blue, Cobalt Violet, Vermilion, Magenta, Veridian, Cadmium Yellow, Turquoise have been mixed with just enough white to bring the color identity to light.

The dark center of the flowers is Prussian Blue pure pigment. It appears black, but is not. If black were substituted for this color, it would appear lifeless and dead.

for artists

Charvin Jewel Colors
Ruby Red, Rubine Lake, French Red Light, Diamond Orange,
French Yellow Orange, French Yellow, Anise, Meadow Green, Peacock, Emerald, Intense Turquoise, Deep Turquoise, French Cobalt Blue, Deep Ultramarine Blue, Prussian Blue, Rembrandt Vermilion, Rembrandt Quinacridone Rose, Sennelier Rose

Pastel Tones Palette ~ Gently Sunset
Pastel Tones Palette ~ Gently Sunset,  oil painting & fine art print

Pastel Palette

Now let’s look at the colors in this pastel palette. How do these colors feel to you?

Pastel tones are the same pure pigments, mixed with white. This dilutes the pigment. The dark in this example is actually Shadow Green. Mixed with Provence Blue, the color beside the full strength Shadow Green feels pastel.

Please note: this is an oil painting, not a pastel painting. My discussion here is about pastel tones, not the medium of pastels.

for artists

Charvin Pastel Colors
Naples Yellow, Incarnat, Celadon Green, Green Gray Light, Water Green, Tropical Green, St Remy Green, Deep Opaline Green, St Remy Blue, Caraibes, Royal Blue, Bright Linen, Leaded Gray

Earth Tones Palette
Earth Tones Palette ~ Winter Marsh,  oil painting & fine art print

Earth Tones Palette

How do Earth Colors make you feel?

Earth colors are created from pigments found in the earth, Carmine, Red Earth, Yellow Ochre, Raw Umber, Siena, Charcoal, Zinc White. These elements are literally dug from the earth and ground up fine like sugar. This granular pigment is then used to create oil paint, acrylics, watercolors and pastels.

for artists

Charvin Earth Colors
Yellow Ochre, Raw Siena, Transparent Yellow Ochre, Pouzzoles Red, Aubere Pink,
Raw Umber,  Savana, Green Shell, Deep Celadon Green

pastel palette
One tray of pastels with a color chart.

Here is a section of my pastel palette with one of my color charts. Which palette would you say this is?

HINT  There may be more than one right answer!

Which Palette are YOU?

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I see y’all are voting heavily for the Jewel Tone Palette! Me too! However, there’s something I’ve discovered about balancing colors that requires all three. In doing my artist residencies in France and Italy, I’ve discovered a Color Fusion Palette that creates harmony.  Here’s an example.

Waking Dreams IV
Waking Dreams IV, oil

Can you see the difference between Waking Dreams IV and Blooming? Waking Dreams incorporates all three palettes. Learn more about my Color Fusion Palette in my Awakening Hearts Series and how you can use it in your home to create wellness, serenity, and vitality.

Coming Home to Inspiration for a Life & Artistry

I’ve heard it said that you can never go home again. I don’t know if this is true or not. Last month I went home for the last time. What I discovered made me glow . . .

Can you feel it in this painting?

Each color juxtaposes another, shimmering reflections in the river where I played as a girl. I wish you could see this painting in person. It is three by four feet and glows when you stand beside it.

Reflected Brilliance by Dorothy Fagan
Reflected Brilliance, oil, 36″ x 48″

Coming Home

Revisiting my childhood home in October, I walked trails where I played as a kid.  It really struck me ~ how clearly and distinctly inspiration for my artistry was formulated ~ from a very early age.

I went home to attend a class reunion, though my family no longer lives in the area. It seemed a one-time window of opportunity to visit Mom and Dad’s grave and the graves of both sets of my grandparents. I found myself thinking of a trail where we’d hiked many times, down behind our house on the hill.

Waking up in the hotel Saturday morning, my attention was fixed on coffee and the wooden bridge where Dad and I’d taken a picture on a rock by the stream. Googling Panera, I quickly checked off the first order of business. Remembering that I would need cash for the reunion later in the day, google directed me to my bank.

Indian Lake
Indian Lake

Many roads looked unfamiliar when a sign “Indian Trail” sparked something vague. Around the narrow neighborhood street, Indian Lake appeared in full autumn splendor. Crimson trees reflected in deep ultramarine water, houses nestled closely together. I parked and got out of the car.

The only thing I remember of living in that little cottage on Indian Lake are two photographs. One of me with my sister, in a cardboard box on a sled ~ being pulled across the frozen lake. The other, a photo of me tethered to the tree in the yard ~ so I would not fall in the lake! We moved when I was 3.

Discovering My Vision for Life & Artistry

Visiting the places I walked with my dad, feels like stitching pieces of a quilt together. My new series of paintings, Coming to the River, is that quilt. In my next post, I will show you more of my inspiration for the quilt and how the pieces fit together.

Coming to the River Series
Muses of Tuscany Retreat
Oil Painting Gallery
Get Dorothy’s Palette

DIGITAL BOOK Coming to the River

 

Tonalist Painting ~ A Meditative Stimulus to Creative Powers

A good way to increase creative powers is to study or paint tonalist paintings. Creative powers are stimulated by slowing down and becoming aware of subtle changes of color and light.

In our fast-paced, bright, loud world, this balance is essential for continued health and well-being. Awareness and sensitivity are stimulated by even short exposures to these subtleties of light and color.

Even momentary observation of subtle changes in hue and value heighten one’s creative abilities significantly. Moment by moment, bit by bit, awareness increases and creative skills show themselves in unexpected ways.

Remember, creative power is not measurable in the way we think of tracking progress. Creative power shows itself between the cracks, literally and figuratively. It is in those moments we let go, however short or infrequent, that the Creative Source steps in offering gifts.

Meditative, the process of letting the eye wander amid nuances of color releases attachments. Without struggle, creative powers are released to function as they are designed to operate. The body heals, ideas flow, wellness is maintained in a balanced state.

value painting
Tre Sorelle di Poggio, oil, 10 x 10

Tonalist Painting Exercise

Mix each color to fall into a mid-value range. If the value scale from nearly black to nearly white is 10 points, a mid-range set of values would be 4, 5 and 6. This painting is an example of a mid-range value painting.

Painting this, I worked en plein air on a misty October afternoon. I was initially attracted to the russet color of an autumn tree in the foreground. However, my painting is more of a tonalist essay reflecting the quiet autumn day.

Stepping back to look for tones which pop out as too light or too dark, will help in adjusting their values.

For more examples of tonalist paintings look at works by John Henry Twachtman.

Book a Talk about Tonalist Painting & Creativity for your group